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In his six Suites for unaccompanied violoncello, J. S. Bach invented a style that is specific to that instrument, while exploring all its technical possibilities to the full. Over the years, the Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest of them did not record these works until they reached their years of maturity (Casals was over sixty, Rostropovich was sixty-three), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard is among the latter. Her first recording of the Suites, released on the Ambrosia label in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of the label, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece." http://eboutique.harmoniamundi.com/johann-sebastian-bach-cello-suites.html Recording producer: Nicolas Bartholomée Film director: Guillaume L'Hôte Filmed at Grenier de la Mothe, Bailleul Neuville Visit the official Aparté website: http://www.apartemusic.com/ Video by Guillaume L'Hôte & Florian Bonifay for Little Tribeca
Bach: Prélude, Cello suite Nr.1 | Ophélie Gaillard
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Astor Piazzolla - Balada para mi muerte (live) Ophélie Gaillard, Cello Sandra Rumolino, Chant Juanjo Mosalini, Bandoneon Romain Lecuyer, doublebass Gabriel Sivak, piano Taken from Ophélie Gaillard 'Alvorada' (AP104) Recorded at La Ferme du Buisson on February 2015 © 2015 Calle Carmen Visit the official Aparté website: http://www.apartemusic.com/
Piazzolla: Balada para mi muerte | Ophélie Gaillard, Sandra Rumolino (live)
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Egberto Gismonti & Geraldo Carneiro 'Agua e Vinho' Ophélie Gaillard, cello Gabriel Sivak, piano & arrangement Juanjo Mosalini, bandoneon Taken from Ophélie Gaillard 'Alvorada' (AP104) Recorded at La Ferme du Buisson on February 2015 © 2015 Calle Carmen Visit the official Aparté website: http://www.apartemusic.com/
E.Gismonti & G.Carneiro: 'Agua e Vinho' | Ophélie Gaillard (live)
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Romain Leleu, trompette Ensemble Convergences Cécile Agator et Cécile Peyrol-Leleu, violons Sophie Groseil, alto Renaud Guieu, violoncelle Yann Dubost, contrebasse Director: Guillaume L'Hôte for Little Tribeca Executive producer: Florian Bonifay Visit the official Aparté website: http://www.apartemusic.com/
Sur la Route: Libertango | Romain Leleu, Convergences
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Taken from Ophélie Gaillard - Alvorada (AP104) (c) 2015 Calle Carmen Visit the official Aparté website: http://www.apartemusic.com/
Alvorada | Ophélie Gaillard (Teaser)
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STREAM & DOWNLOAD http://www.apartemusic.com/discography/faure-piano-works/ Taken from Gabriel Fauré Piano Works | Michel Dalberto (Aparté) Extrait de Gabriel Fauré Œuvres pour piano | Michel Dalberto (Aparté) callecarmen.com (c) Calle Carmen - Little Tribeca - Mezzo 2017 Réalisation : Guillaume L'Hôte Visit the official Aparté website: http://www.apartemusic.com/
Fauré Piano Works | Michel Dalberto
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📀 Listen/buy the album: https://aparte.lnk.to/Ravel-JulienBeaudiment Que faire lorsqu’on est flûtiste et qu’on aime Ravel ? Si le compositeur a offert parmi ses plus belles pages d’orchestre à la flûte, il a très peu composé pour l’instrument seul… Hélas ! Julien Beaudiment et Célia Oneto Bensaid répondent à cette question en empruntant au répertoire dix des plus grandes œuvres du compositeur. Daphnis et Chloé, la périlleuse Alborada del gracioso ou encore La flûte enchantée et la Sonatine se parent donc des timbres conjugués de la flûte et du piano, tant et si bien que l’on se surprend à penser que ces transcriptions auraient aussi bien pu être les versions d’origine… Une belle confirmation que, chez Ravel, la flûte est bien « l’instrument heureux de la lumière et du rêve ». What’s a flutist to do when they love Ravel? Though Ravel gave the flute some of its finest orchestral moments, he wrote little for it as a solo instrument… Alas! Julien Beaudiment and Célia Oneto Bensaid answer this question by borrowing from the repertoire ten of the composer’s greatest works. Daphnis et Chloé, the challenging Alborada del gracioso, La flûte enchantée or the Sonatine are thus adorned with the combined timbres of flute and piano – so much so that one might be tempted to think these transcriptions could just as well have been the original versions... A beautiful confirmation that, for Ravel, the flute truly is “the happy instrument of light and dream.” 🎥 Guillaume L’Hôte Merci à Faulisi et Sankyos Aparté Music • Website: https://www.apartemusic.com • Newsletter: https://bit.ly/newsletterapartemusic Social Media • Facebook: / apartemusic • Instagram: / apartemusic • Twitter: / apartemusic • YouTube: http://bit.ly/youtubeapartemusic Listen : • Spotify: http://bit.ly/spotifyapartemusic • Apple Music: http://bit.ly/appleapartemusic • Deezer: http://bit.ly/deezerapartemusic • Qobuz: http://bit.ly/qobuzapartemusic • Amazon Music: http://bit.ly/amazonapartemusic • YouTube Music: http://bit.ly/youtubemusicaparte
[Interview] Julien Beaudiment, Ravel, The Flute Album - Julien Beaudiment, Celia Oneto Bensaid
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Lully / Phaeton - Les Talens Lyriques - Christophe Rousset
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📀 Listen/buy the album: https://aparte.lnk.to/Backstage-KevinAmiel Kévin Amiel, voix montante de l’opéra français, confirme son talent avec un premier album de haute volée. Nommé aux Révélations des Victoires de la musique classique en 2020 et artiste Adami, le ténor explore les grands airs du XIXe siècle, époque où l’opéra célèbre les destins hors du commun, de la scène aux coulisses, avec Verdi, Gounod, Puccini ou Delibes. Alliant timbre lumineux, virtuosité et talent dramatique, Kévin Amiel incarne aujourd’hui cet art exigeant, forgé par la passion, la patience et le travail. Clin d’œil à Pavarotti, sans doute le plus grand et le plus populaire des chanteurs lyriques, il glisse dans ce programme quelques airs traditionnels napolitains, comme pour rappeler que la joie du chant doit toujours primer. Kévin Amiel, the rising voice of French opera, confirms his talent with a first album of the highest calibre. Nominated for a ‘Révélations’ award at the Victoires de la musique classique awards in 2020 and an Adami artist, the tenor explores the great arias of the 19th century, a period when opera celebrated extraordinary destinies, from the stage to backstage, with Verdi, Gounod, Puccini and Delibes. Combining a luminous timbre, virtuosity and dramatic talent, Kévin Amiel embodies this demanding art, forged by passion, patience and hard work. With a nod to Pavarotti, arguably the greatest and most popular of opera singers, he slips a few traditional Neapolitan arias into this programme, as if to remind us that the joy of singing must always come first. 🎥Guillaume L'hôte Kévin Amiel - Social Media : • Facebook: https://www.facebook.com/kevinamiel • Instagram: https://www.instagram.com/kevin_amiel_tenor/ Aparté Music • Website: https://www.apartemusic.com • Newsletter: https://bit.ly/newsletterapartemusic Social Media • Facebook: / apartemusic • Instagram: / apartemusic • Twitter: / apartemusic • YouTube: http://bit.ly/youtubeapartemusic Listen : • Spotify: http://bit.ly/spotifyapartemusic • Apple Music: http://bit.ly/appleapartemusic • Deezer: http://bit.ly/deezerapartemusic • Qobuz: http://bit.ly/qobuzapartemusic • Amazon Music: http://bit.ly/amazonapartemusic • YouTube Music: http://bit.ly/youtubemusicaparte #opera #verdi #classical #classicalmusic #newreleases #newmusicfriday #tenor
Verdi, Rigoletto, Act 3, La donna è mobile - Kévin Amiel, Orchestra Sinfonica G. Rossini, F. Chaslin
Vidéo YouTube UExwX2dYaldCNVZqeXMydEZGbW1YWFZYbXpfV0tyX0daRC4wMTcyMDhGQUE4NTIzM0Y5
📀 Listen/buy the album: https://aparte.lnk.to/Backstage-KevinAmiel Kévin Amiel, voix montante de l’opéra français, confirme son talent avec un premier album de haute volée. Nommé aux Révélations des Victoires de la musique classique en 2020 et artiste Adami, le ténor explore les grands airs du XIXe siècle, époque où l’opéra célèbre les destins hors du commun, de la scène aux coulisses, avec Verdi, Gounod, Puccini ou Delibes. Alliant timbre lumineux, virtuosité et talent dramatique, Kévin Amiel incarne aujourd’hui cet art exigeant, forgé par la passion, la patience et le travail. Clin d’œil à Pavarotti, sans doute le plus grand et le plus populaire des chanteurs lyriques, il glisse dans ce programme quelques airs traditionnels napolitains, comme pour rappeler que la joie du chant doit toujours primer. Kévin Amiel, the rising voice of French opera, confirms his talent with a first album of the highest calibre. Nominated for a ‘Révélations’ award at the Victoires de la musique classique awards in 2020 and an Adami artist, the tenor explores the great arias of the 19th century, a period when opera celebrated extraordinary destinies, from the stage to backstage, with Verdi, Gounod, Puccini and Delibes. Combining a luminous timbre, virtuosity and dramatic talent, Kévin Amiel embodies this demanding art, forged by passion, patience and hard work. With a nod to Pavarotti, arguably the greatest and most popular of opera singers, he slips a few traditional Neapolitan arias into this programme, as if to remind us that the joy of singing must always come first. 🎥Guillaume L'hôte Kévin Amiel - Social Media : • Facebook: https://www.facebook.com/kevinamiel • Instagram: https://www.instagram.com/kevin_amiel_tenor/ Aparté Music • Website: https://www.apartemusic.com • Newsletter: https://bit.ly/newsletterapartemusic Social Media • Facebook: / apartemusic • Instagram: / apartemusic • Twitter: / apartemusic • YouTube: http://bit.ly/youtubeapartemusic Listen : • Spotify: http://bit.ly/spotifyapartemusic • Apple Music: http://bit.ly/appleapartemusic • Deezer: http://bit.ly/deezerapartemusic • Qobuz: http://bit.ly/qobuzapartemusic • Amazon Music: http://bit.ly/amazonapartemusic • YouTube Music: http://bit.ly/youtubemusicaparte #opera #donizetti #classical #classicalmusic #newreleases #newmusicfriday #tenor
Donizetti, Il duca d'Alba - Kévin Amiel, Orchestra Sinfonica G. Rossini, Frédéric Chaslin
Vidéo YouTube UExwX2dYaldCNVZqeXMydEZGbW1YWFZYbXpfV0tyX0daRC41MjE1MkI0OTQ2QzJGNzNG
📀 Listen/buy the album: https://aparte.lnk.to/Cublai-LesTalensLyriques Dans ‘Cublai, gran kan de' Tartari (1788)’, Salieri déploie toute sa faconde héroï-comique, le livret de Giambattista Casti dissimulant à peine, derrière son intrigue située en Cathay au nord de la Chine, une parodie piquante des cours monarchiques européennes. Le personnage du Grand Khan, en particulier, est une évocation drôlatique de Pierre le Grand. Censurée avant même sa création, l'œuvre a attendu ce présent enregistrement pour être enfin ressuscitée dans sa version originale avec l'aide des Talens Lyriques et de leur chef Christophe Rousset, ardents défenseurs de la musique de Salieri. Salieri's ‘Cublai, gran kan de' Tartari’ (1788) displays all its heroic-comic loquaciousness, for Giambattista Casti's libretto barely conceals its piquant parody of the European monarchical courts behind its plot set in Cathay. The figure of the Great Khan, in particular, is a droll evocation of Peter the Great. Censored even before its premiere, the work waited to be resurrected in its original version with the help of Les Talens Lyriques and their conductor Christophe Rousset, ardent defenders of Salieri's music. 🎥 Guillaume L'hôte Aparté Music • Website: https://www.apartemusic.com • Newsletter: https://bit.ly/newsletterapartemusic Social Media • Facebook: / apartemusic • Instagram: / apartemusic • Twitter: / apartemusic • YouTube: http://bit.ly/youtubeapartemusic Listen : • Spotify: http://bit.ly/spotifyapartemusic • Apple Music: http://bit.ly/appleapartemusic • Deezer: http://bit.ly/deezerapartemusic • Qobuz: http://bit.ly/qobuzapartemusic • Amazon Music: http://bit.ly/amazonapartemusic • YouTube Music: http://bit.ly/youtubemusicaparte #Classical #Cublai #TalensLyriques #baroque
[TEASER] Salieri, Culblai, Gan Kan de' Tartari - Les Talens Lyriques, Christophe Rousset
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Listen to the single or buy the album: https://aparte.lnk.to/alagna-60 'Sognare' from the album 'Roberto Alagna 60' ❤️ Roberto Alagna's new album celebrates 40 years of a unique career and incredible voice. Driven by an unfailing passion for singing, the tenor keeps on surprising us, and with this new recording offers a rich and generous content: no less than 20 previously unreleased tracks exploring different repertoires and styles, from French, Italian and Neapolitan, German, Polish and Russian opera to Italian and French song , English and South American crossover and other surprises that Roberto has a secret for! Here accompanied by the Morphing Chamber Orchestra under the direction of Giorgio Croci. 📸 Clip produced by Guillaume L'Hote ------------ 'Sognare' de l'album 'Roberto Alagna 60' ❤️ Le nouvel album de Roberto Alagna célèbre les 40 ans d'une carrière et d'une voix uniques. Animé d’une passion communicative pour le chant, le ténor continue de nous surprendre et nous offre avec ce nouvel enregistrement un contenu riche et généreux, à son image : pas moins de 20 titres inédits explorant des répertoires et des styles différents, de l'opéra français, italien et napolitain, allemand, polonais ou russe à la chanson italienne et française, en passant par le crossover anglais et sud-américain et autres surprises dont Roberto a le secret ! Accompagné par le Morphing Chamber Orchestra sous la direction de Giorgio Croci. 📀Pour écouter le single ou précommander l’album : https://aparte.lnk.to/alagna-60 📸 Réalisation clip : Guillaume L'Hote Aparté Music • Website: https://www.apartemusic.com • Newsletter: https://bit.ly/newsletterapartemusic Social Media • Facebook: / apartemusic • Instagram: / apartemusic • Twitter: / apartemusic • YouTube: http://bit.ly/youtubeapartemusic Listen : • Spotify: http://bit.ly/spotifyapartemusic • Apple Music: http://bit.ly/appleapartemusic • Deezer: http://bit.ly/deezerapartemusic • Qobuz: http://bit.ly/qobuzapartemusic • Amazon Music: http://bit.ly/amazonapartemusic • YouTube Music: http://bit.ly/youtubemusicaparte #RobertoAlagna #NewAlbum #Opera
Sognare - Roberto Alagna Morphing Chamber Orchestra, Giorgio Croci
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Listen to the single or buy the album: https://aparte.lnk.to/alagna-60 'Les Millions d'Arlequin' from the album 'Roberto Alagna 60' ❤️ Roberto Alagna's new album celebrates 40 years of a unique career and incredible voice. Driven by an unfailing passion for singing, the tenor keeps on surprising us, and with this new recording offers a rich and generous content: no less than 20 previously unreleased tracks exploring different repertoires and styles, from French, Italian and Neapolitan, German, Polish and Russian opera to Italian and French song , English and South American crossover and other surprises that Roberto has a secret for! Here accompanied by the Morphing Chamber Orchestra under the direction of Giorgio Croci. 📸 Clip produced by Guillaume L'Hote ------------ 'Les Millions d'Arlequin', de l’album 'Roberto Alagna 60' ❤️ Le nouvel album de Roberto Alagna célèbre les 40 ans d'une carrière et d'une voix uniques. Animé d’une passion communicative pour le chant, le ténor continue de nous surprendre et nous offre avec ce nouvel enregistrement un contenu riche et généreux, à son image : pas moins de 20 titres inédits explorant des répertoires et des styles différents, de l'opéra français, italien et napolitain, allemand, polonais ou russe à la chanson italienne et française, en passant par le crossover anglais et sud-américain et autres surprises dont Roberto a le secret ! Accompagné par le Morphing Chamber Orchestra sous la direction de Giorgio Croci. 📀Pour écouter le single ou précommander l’album : https://aparte.lnk.to/alagna-60 📸 Réalisation clip : Guillaume L'Hote Aparté Music • Website: https://www.apartemusic.com • Newsletter: https://bit.ly/newsletterapartemusic Social Media • Facebook: / apartemusic • Instagram: / apartemusic • Twitter: / apartemusic • YouTube: http://bit.ly/youtubeapartemusic Listen : • Spotify: http://bit.ly/spotifyapartemusic • Apple Music: http://bit.ly/appleapartemusic • Deezer: http://bit.ly/deezerapartemusic • Qobuz: http://bit.ly/qobuzapartemusic • Amazon Music: http://bit.ly/amazonapartemusic • YouTube Music: http://bit.ly/youtubemusicaparte #RobertoAlagna #NewAlbum #Opera
Drigo : Les Millions d'Arlequin - Roberto Alagna & Morphing Chamber Orchestra, Giorgio Croci
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Listen to the single or buy the album: https://aparte.lnk.to/alagna-60 'Halka : "Szumią jodły na gór szczycie" ' from the album 'Roberto Alagna 60' ❤️ Roberto Alagna's new album celebrates 40 years of a unique career and incredible voice. Driven by an unfailing passion for singing, the tenor keeps on surprising us, and with this new recording offers a rich and generous content: no less than 20 previously unreleased tracks exploring different repertoires and styles, from French, Italian and Neapolitan, German, Polish and Russian opera to Italian and French song , English and South American crossover and other surprises that Roberto has a secret for! Here accompanied by the Morphing Chamber Orchestra under the direction of Giorgio Croci. 📀Listen the single ou the album: https://aparte.lnk.to/alagna-60 📸 Clip produced by Guillaume L'Hote ------------ 'Halka : "Szumią jodły na gór szczycie", de l’album 'Roberto Alagna 60' ❤️ Le nouvel album de Roberto Alagna célèbre les 40 ans d'une carrière et d'une voix uniques. Animé d’une passion communicative pour le chant, le ténor continue de nous surprendre et nous offre avec ce nouvel enregistrement un contenu riche et généreux, à son image : pas moins de 20 titres inédits explorant des répertoires et des styles différents, de l'opéra français, italien et napolitain, allemand, polonais ou russe à la chanson italienne et française, en passant par le crossover anglais et sud-américain et autres surprises dont Roberto a le secret ! Accompagné par le Morphing Chamber Orchestra sous la direction de Giorgio Croci. 📀Pour écouter le single ou l’album : https://aparte.lnk.to/alagna-60 📸 Réalisation clip : Guillaume L'Hote Aparté Music • Website: https://www.apartemusic.com • Newsletter: https://bit.ly/newsletterapartemusic Social Media • Facebook: / apartemusic • Instagram: / apartemusic • Twitter: / apartemusic • YouTube: http://bit.ly/youtubeapartemusic Listen : • Spotify: http://bit.ly/spotifyapartemusic • Apple Music: http://bit.ly/appleapartemusic • Deezer: http://bit.ly/deezerapartemusic • Qobuz: http://bit.ly/qobuzapartemusic • Amazon Music: http://bit.ly/amazonapartemusic • YouTube Music: http://bit.ly/youtubemusicaparte #RobertoAlagna #NewAlbum #Opera
Moniuszko : Halka - Roberto Alagna & Morphing Chamber Orchestra, Giorgio Croci
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Listen to the single or buy the album: https://aparte.lnk.to/alagna-60 'Be My Love' from the album 'Roberto Alagna 60' ❤️ Roberto Alagna's new album celebrates 40 years of a unique career and incredible voice. Driven by an unfailing passion for singing, the tenor keeps on surprising us, and with this new recording offers a rich and generous content: no less than 20 previously unreleased tracks exploring different repertoires and styles, from French, Italian and Neapolitan, German, Polish and Russian opera to Italian and French song , English and South American crossover and other surprises that Roberto has a secret for! While we wait for the release, let's enjoy a taste of it with Nicholas Brodszky's song, written for the legendary Mario Lanza 💘 here accompanied by the Morphing Chamber Orchestra under the direction of Giorgio Croci. 📸 Clip produced by Guillaume L'Hote ------------ 'Be My Love', premier extrait de l’album 'Roberto Alagna 60' ❤️ Le nouvel album de Roberto Alagna célèbre les 40 ans d'une carrière et d'une voix uniques. Animé d’une passion communicative pour le chant, le ténor continue de nous surprendre et nous offre avec ce nouvel enregistrement un contenu riche et généreux, à son image : pas moins de 20 titres inédits explorant des répertoires et des styles différents, de l'opéra français, italien et napolitain, allemand, polonais ou russe à la chanson italienne et française, en passant par le crossover anglais et sud-américain et autres surprises dont Roberto a le secret ! En attendant la sortie de son disque évènement, savourez en avant-goût son interprétation de « Be My Love », la chanson écrite pour le légendaire Mario Lanza 💘, ici accompagnée par le Morphing Chamber Orchestra sous la direction de Giorgio Croci. 📀Pour écouter le single ou précommander l’album : https://aparte.lnk.to/alagna-60 📸 Réalisation clip : Guillaume L'Hote Aparté Music • Website: https://www.apartemusic.com • Newsletter: https://bit.ly/newsletterapartemusic Social Media • Facebook: / apartemusic • Instagram: / apartemusic • Twitter: / apartemusic • YouTube: http://bit.ly/youtubeapartemusic Listen : • Spotify: http://bit.ly/spotifyapartemusic • Apple Music: http://bit.ly/appleapartemusic • Deezer: http://bit.ly/deezerapartemusic • Qobuz: http://bit.ly/qobuzapartemusic • Amazon Music: http://bit.ly/amazonapartemusic • YouTube Music: http://bit.ly/youtubemusicaparte #RobertoAlagna #NewAlbum #Opera
[MUSIC VIDEO] Brodszky : Be My Love - Roberto Alagna & Morphing Chamber Orchestra, Giorgio Croci
Vidéo YouTube UExwX2dYaldCNVZqeXMydEZGbW1YWFZYbXpfV0tyX0daRC45NDk1REZENzhEMzU5MDQz
Listen | Stream: http://smarturl.it/dalbertofranck More info: http://www.apartemusic.com/discography/franck-piano-works-quintet/ Vlado Perlemuter and Jean Hubeau’s pupil, Michel Dalberto has established himself during a forty year career as a master. And as an ardent defender of French music he launched on Aparté record label a serie dedicated to Debussy, Fauré, Franck and Ravel. “These recording of works of the four major French composers of the late nineteenth and early twentieth century, I wish to prove myself worthy of the teachers who used to provide a specific idea of French music made of severity and sensuality, a mixture of rigour and freedom.” After a first opus devoted to Debussy and a second to Fauré (both rewarded with international awards), Michel Dalberto chose the Salle Philharmonique in Liège to record the third part of this collection – that is to say in César Franck’s home town. Disciple de Vlado Perlemuter et Jean Hubeau, Michel Dalberto s’est imposé au fil de quarante années de carrière comme un maître et un ardent défenseur de la musique française. Sa signature sur le label Aparté d’une série dédiée à Debussy, Fauré, Franck et Ravel marque son grand retour à l’enregistrement. « En souhaitant enregistrer une sélection d’œuvres des quatre compositeurs français les plus importants de la fin du XIXe début du XXe siècle, j’espère me montrer digne de ces professeurs qui m’ont transmis une certaine idée de la musique française faite de sévérité et de sensualité, mélange de rigueur et de liberté. » Après un premier volet consacré à Debussy et un second à Fauré (tous deux récompensés d’un Diapason d’or), Michel Dalberto a choisi la Salle philharmonique de Liège pour enregistrer le troisième volume de cette collection, autrement dit dans la ville natale de César Franck. Ce témoignage unique s’impose naturellement comme une référence dans la discographie du compositeur. --- Video production by Calle Carmen for Mezzo Executive producer: Florian Bonifay
César Franck: Prelude (from Prelude, Fugue & Variation) | Michel Dalberto
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STREAM & DOWNLOAD http://smarturl.it/y8v966 Taken from Gabriel Fauré Piano Works | Michel Dalberto (Aparté) Extrait de Gabriel Fauré Œuvres pour piano | Michel Dalberto (Aparté) Plus d'info/More info: http://www.apartemusic.com/discography/faure-piano-works/ callecarmen.com (c) Calle Carmen - Little Tribeca - Mezzo 2017 Réalisation : Guillaume L'Hôte Production: Florian Bonifay Visit the official Aparté website: http://www.apartemusic.com/
Fauré: Nocturne n°6 (live) | Michel Dalberto
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STREAM & DOWNLOAD http://www.apartemusic.com/discography/votez-pour-moi/ Taken from Votez pour moi ! | La Clique des Lunaisiens, Arnaud Marzorati (Aparté/Palazzetto Bru Zane) La Clique des Lunaisiens Arnaud Marzorati, baryton Lara Neumann, soprano Ingrid Perruche, soprano Réalisation: Guillaume L'hôte Visit the official Aparté website: http://www.apartemusic.com/
Votez pour moi ! | La Clique des Lunaisiens (Teaser)
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Taken from Romain Leleu | Ensemble Convergences «Inspirations» (Aparté) Visit the official Aparté website: http://www.apartemusic.com/
Bizet: Fantaisie sur Carmen | Romain Leleu (Studio Session)
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STREAM & DOWNLOAD http://www.apartemusic.com/discography/romain-leleu-inspirations/ Taken from Romain Leleu | Ensemble Convergences «Inspirations» (Aparté) Distribution: Harmonia Mundi/Pias http://romainleleu.com Visit the official Aparté website: http://www.apartemusic.com/
Inspirations | Romain Leleu, Ensemble Convergences (Teaser)
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Karine Deshayes, mezzo soprano Les Forces Majeures Raphaël Merlin, conductor (courtesy of Erato/Warner Classics) Composer: Rossini Recorded at Ferme de Villefavard Directed by Guillaume L'hôte (c) Little Tribeca Visit the official Aparté website: http://www.apartemusic.com/
Vie de Rossini | Karine Deshayes, Les Forces Majeures, Raphaël Merlin (Teaser)
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STREAM & DOWNLOAD http://www.apartemusic.com/discography/forqueray-pieces-de-viole/ Extrait de Taken from Antoine Forqueray - Pièces de viole (AP122) Atsushi Sakai: viole de gambe, viol Marion Martineau: viole de gambe, viol Recorded at La Ferme du Buisson (C) 2015 Calle Carmen Executive producer: Florian Bonifay Visit the official Aparté website: http://www.apartemusic.com/
Forqueray: Pièces de viole | Atsushi Sakai, Marion Martineau (live)
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STREAM & DOWNLOAD http://www.apartemusic.com/discography/debussy-michel-dalberto/ Michel Dalberto plays Debussy "Brouillards" (Préludes II) live in Mantua, Italy Taken from Michel Dalberto plays Debussy (AP111) Réalisation: Guillaume L'Hôte ℗ & © 2015 Aparté/Little Tribeca Thanks to : Fazioli, Mantova Chamber Festival Distribution: Harmonia Mundi Visit the official Aparté website: http://www.apartemusic.com/
Debussy: "Brouillards" | Michel Dalberto (live in Mantua)
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Michel Dalberto plays Debussy "Golliwog's cake-walk" (Children's Corner) live in Mantua, Italy Taken from Michel Dalberto plays Debussy (AP111) Réalisation: Guillaume L'Hôte ℗ & © 2015 Aparté/Little Tribeca Thanks to : Fazioli, Mantova Chamber Festival Distribution: Harmonia Mundi Visit the official Aparté website: http://www.apartemusic.com/
Debussy: "Golliwog's cake-walk" | Michel Dalberto (live in Mantua)
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album available here: https://www.apartemusic.com/albums/debussy-michel-dalberto/ COLLECTION DALBERTO LIVE 'Two years ago, near Venice, I played pieces by Debussy on a Fazioli piano, and it seemed obvious to me that this piano provided the ideal sonority for this music made of light and shadow. The idea of recording a recital in a beautiful Italian theatre came as a logical continuation. The "Bibiena" (from the name of its architect, Antonio Bibiena) in Mantua was inaugurated in December 1769 - Mozart gave a concert there a month later. It is, with the San Carlo in Naples, my finest memory of an Italian theatre where I played.' Michel Dalberto (may 2015) Thanks to : Fazioli, Mantova Chamber Festival Director: Guillaume L'Hôte ℗ & © 2015 Aparté/Little Tribeca
Debussy: Poissons d’or | Michel Dalberto (live in Mantua)
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Astor Piazzolla - Grand Tango (live) Ophélie Gaillard, cello Juanjo Mosalini, bandoneon Romain Lecuyer, doublebass Gabriel Sivak, arrangement Taken from Ophélie Gaillard 'Alvorada' (AP104) Recorded at La Ferme du Buisson on February 2015 © 2015 Calle Carmen Director: Guillaume L'Hôte Executive producer: Florian Bonifay Visit the official Aparté website: http://www.apartemusic.com/
Piazzolla: Grand Tango | Ophélie Gaillard (live)
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Rameau - Zaïs Les Talens Lyriques, Christophe Rousset Julian Pregardien, Sandrine Piau, Amel Brahim-Djelloul Chœur de Chambre de Namur Enregistré en concert à l’Opéra Royal du Château de Versailles du 16 au 18 novembre 2014. Les représentations de Zaïs au Festival de Beaune en juillet 2014, au Concertgebouw d’Amsterdam en novembre 2014, à l’Opéra Royal de Versailles en novembre 2014 et au Theater an der Wien en avril 2015, ont été rendues possibles grâce à la coproduction du Centre de Musique Baroque de Versailles, et au soutien du Cercle des Mécènes des Talens Lyriques, de Nizam Kettaneh et de la Fondation Annenberg / GRoW – Gregory et Regina Annenberg Weingarten. Coproduction Les Talens Lyriques, Centre de musique baroque de Versailles. Remerciements : Opéra Royal / Château de Versailles Spectacles. Catherine Pégard, Présidente et Laurent Brunner, Directeur de Château de Versailles Spectacles. Jacques Verrees. Recorded by Little Tribeca Réalisation : Guillaume L'Hôte Visit the official Aparté website: http://www.apartemusic.com/
Rameau: Zaïs | Les Talens Lyriques, Christophe Rousset (Teaser)
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Manuel de Falla 'Nana' Ophélie Gaillard, Cello Emmanuel Rossfelder, Guitar David Chupete, Percussions Taken from Ophélie Gaillard 'Alvorada' (AP104) Recorded at La Ferme du Buisson on February 2015 © 2015 Calle Carmen Director: Guillaume L'Hôte Executive producer: Florian Bonifay Visit the official Aparté website: http://www.apartemusic.com/
De Falla: 'Nana' | Ophélie Gaillard (live)
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Ophélie Gaillard, Cello Sandra Rumolino, Chant Juanjo Mosalini, Bandoneon Arrangements : Gabriel Sivak Taken from Ophélie Gaillard 'Alvorada' (AP104) Extrait de Ophélie Gaillard "Alvorada" (AP104) Recorded at La Ferme du Buisson on February 2015 © 2015 Calle Carmen Visit the official Aparté website: http://www.apartemusic.com/
Nostalgias | Ophélie Gaillard, Sandra Rumolino (live)
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Alfredo Gobbi 'A Orlando Goni' Ophélie Gaillard, Cello Juanjo Mosalini, Bandoneon Cyril Garac, Violin Arrangements : Gabriel Sivak Taken from Ophélie Gaillard 'Alvorada' (AP104) Recorded at La Ferme du Buisson on February 2015 © 2015 Calle Carmen Visit the official Aparté website: http://www.apartemusic.com/
Alfredo Gobbi: 'A Orlando Goni' | Ophélie Gaillard (live )
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Manuel de Falla 'Jota' Ophélie Gaillard, Cello Emmanuel Rossfelder, Guitar David Chupete, Percussions Taken from Ophélie Gaillard 'Alvorada' (AP104) Recorded at La Ferme du Buisson on February 2015 © 2015 Calle Carmen Visit the official Aparté website: http://www.apartemusic.com/
De Falla: 'Jota' | Ophélie Gaillard (live)
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Visit the official Aparté website: http://www.apartemusic.com/
Beethoven: Piano concerto Nr 1 (Allegro Cadence) | Louis Schwizgebel
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Louis Schwizgebel, piano London Philharmonic Orchestra - Thierry Fischer, conductor Ludwig van Beethoven Concerto pour piano no 1, Op. 15 / Piano Concerto no 1, Op. 15 1. Allegro con brio 2. Largo 3. Rondo. Allegro scherzando Ludwig van Beethoven Concerto pour piano no 2, Op. 19 / Piano Concerto no 2, Op. 19 4. Allegro con brio 5. Adagio 6. Rondo. Molto allegro Visit the official Aparté website: http://www.apartemusic.com/
Beethoven: Piano Concerto Nr 1 (Rondo) | Louis Schwizgebel
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Les Talens Lyriques Choeur de Chambre de Namur Phaéton, Emiliano Gonzalez Toro Clymène, Ingrid Perruche Théone, Astrée, Isabelle Druet Libye, Gaëlle Arquez Épaphus, Andrew Foster-Williams Mérops, Automne, Jupiter, Frédéric Caton Protée, Saturne, Benoît Arnould Triton, le Soleil, la déesse de la Terre, Cyril Auvity Une Heure, une bergère égyptienne, Virginie Thomas Visit the official Aparté website: http://www.apartemusic.com/
Lully: Phaeton | Les Talens Lyriques, Christophe Rousset (Teaser)
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Born in Geneva in 1987, Louis Schwizgebel won the Geneva International Music Competition at the age of seventeen, and two years later the Young Concert Artists International Auditions in New York. He became internationally known to a wide audience in 2012 when he won second prize at the Leeds International Piano Competition. ('In an ideal world he would have been placed joint first,' wrote Tim Ashley in The Guardian.) The magazine Le Temps had long predicted that 'he will gain his place among the elite of the international scene'. Die Nordostschweiz described him as 'in everything a visionary creator', while The New York Times praised the brilliance of his playing. There is no doubt that music lovers will appreciate the finesse of this young pianist and poet. And it is to poetry that Louis Schwizgebel decided to dedicate his first album. Maurice Ravel's Gaspard de la nuit was inspired by three of the prose-ballads of Aloysius Bertrand. Th pianist Alfred Cortot described this work as 'one of the most astonishing examples of instrumental ingenuity ever manifested by the industry of composers'. Louis Schwizgebel has also chosen Liszt's transcriptions of three Schubert lieder: 'Auf dem Wasser zu singen', reflecting the motion of the water, the rocking of a boat; the melancholy 'Ständchen'; and the swirling and sinister 'Erlkönig', to Goethe's famous poem. Closer to the present day, Elis by Heinz Holliger was inspired by the works of the Austrian poet Georg Trakl, with their pessimism and enigmatic symbolism. The programme ends in a lighter vein, with 'Vallée d'Obermann', the heart and soul of the first (Swiss) book of Liszt's three-part Années de Pèlerinage. 'Poems' by Louis Schwizgebel will appeal to all who appreciate the combination of music and poetry. Visit the official Aparté website: http://www.apartemusic.com/
Poems | Louis Schwizgebel
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Tristan Pfaff, piano Johann Strauss (arr. Alfred Grünfeld), Soirée de Vienne Live at Fontevraud in November 2012 Visit the official Aparté website: http://www.apartemusic.com/
Strauss (arr. Alfred Grünfeld): Soirée de Vienne | Tristan Pfaff
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Ophélie Gaillard, cello Ferenc Vizi, piano Robert Schumann, Phantasiestücke op. 73 Live at Abbaye de Fontevraud in November 2012 Visit the official Aparté website: http://www.apartemusic.com/
Schumann: Phantasiestücke op.73 | Ophélie Gaillard, Ferenc Vizi
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Ophélie Gaillard, cello Ferenc Vizi, piano Johannes Brahms, Sonata for cello and piano n. 1 Live at Abbaye de Fontevraud November 2012 Visit the official Aparté website: http://www.apartemusic.com/
Brahms: Sonata for cello and piano n°1, op.38 | Ophélie Gaillard, Ferenc Vizi
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Tristan Pfaff, piano Live at Abbaye de Fontevraud in November 2012 Nikolai Kapustin, Sonata for piano n.1 'Sonata-Fantasia' op 39 (4th movement) Visit the official Aparté website: http://www.apartemusic.com/
Kapustin: Sonata for piano n.1 'Sonata-Fantasia' op 39 (4th movement) | Tristan Pfaff
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Cellist Ophélie Gaillard's recordings are always striking. From 'Dreams' to the Bach Cello Suites, highly acclaimed by the critics, and not forgetting the admirable recording of Bach Arias with the ensemble Pulcinella, she constantly renews the genres she approaches through the perfection of her interpretations. In the very intense pieces on this programme -- two monumental sonatas, opp. 38 and 99, and a trio with clarinet, op.114, by Johannes Brahms -- she is accompanied by two first-rate soloists, Louis Schwizgebel-Wang, piano, and Fabio Di Càsola, clarinet. Ophélie Gaillard's playing is gloriously melodious, and she sublimates the lyricism of these beautiful works. Thanks to: Conservatoire de Versailles Director: Guillaume L'Hôte Visit the official Aparté website: http://www.apartemusic.com/
Brahms: Cello Sonata Nr.1 op. 38 (Allegro) | Ophélie Gaillard, Louis Schwizgebel
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Romain Leleu, trompette Ensemble Convergences Cécile Agator et Cécile Peyrol-Leleu, violons Sophie Groseil, alto Renaud Guieu, violoncelle Yann Dubost, contrebasse Director: Guillaume L'Hôte Visit the official Aparté website: http://www.apartemusic.com/
Sur la Route (Making of) | Romain Leleu, Convergences
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Art nouveau by Teodora Gherghiu and Jonathan Aner Visit the official Aparté website: http://www.apartemusic.com/
Art Nouveau | Teodora Gheorghiu, Jonathan Aner
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Chiaroscuro Quartet : Alina Ibragimova, violin / Pablo Hernán Benedí, violin / Emilie Hörnlund, viola / Claire Thirion, cello Wolfgang Amadeus Mozart (1756-1791) Quatuor à cordes no19 en ut majeur / String quartet no. 19 in C major, "Les dissonances'', K. 465 Franz Schubert (1797-1828) Quatuor à cordes no13 en la mineur / String quartet no. 13 in A minor, ''Rosamunde'' D804, op. 29 Réalisation / Image / Montage : Guillaume L'hôte Assistant / 2eme Caméra : Eric Durst Ingénieur du son : Hannelore Guittet Visit the official Aparté website: http://www.apartemusic.com/
Mozart - Schubert | The Chiaroscuro Quartet (Teaser)
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Visit the official Aparté website: http://www.apartemusic.com/
Bach Arias | Rencontre avec Ophélie Gaillard, Pulcinella Orchestra
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STREAM & DOWNLOAD http://smarturl.it/badguysxavier Handel: Bad Guys | Xavier Sabata, Il pomo d'oro, Riccardo Minasi (Teaser) Visit the official Aparté website: http://www.apartemusic.com/
Handel: Bad Guys | Xavier Sabata, Il pomo d'oro, Riccardo Minasi (Teaser)
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In his six Suites for unaccompanied violoncello, J. S. Bach invented a style that is specific to that instrument, while exploring all its technical possibilities to the full. Over the years, the Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest of them did not record these works until they reached their years of maturity (Casals was over sixty, Rostropovich was sixty-three), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard is among the latter. Her first recording of the Suites, released on the Ambrosia label in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of the label, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece." Recording producer: Nicolas Bartholomée Film director: Guillaume L'Hôte Filmed at Grenier de la Mothe, Bailleul Neuville http://www.littletribeca.com
Bach: Gavottes, Cello suite Nr.6 | Ophélie Gaillard
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In his six Suites for unaccompanied violoncello, J. S. Bach invented a style that is specific to that instrument, while exploring all its technical possibilities to the full. Over the years, the Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest of them did not record these works until they reached their years of maturity (Casals was over sixty, Rostropovich was sixty-three), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard is among the latter. Her first recording of the Suites, released on the Ambrosia label in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of the label, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece." http://eboutique.harmoniamundi.com/johann-sebastian-bach-cello-suites.html Recording producer: Nicolas Bartholomée Film director: Guillaume L'Hôte Filmed at Grenier de la Mothe, Bailleul Neuville http://www.littletribeca.com Visit the official Aparté website: http://www.apartemusic.com/
Bach: Gigue, Cello suite Nr.3 | Ophélie Gaillard
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In his six Suites for unaccompanied violoncello, J. S. Bach invented a style that is specific to that instrument, while exploring all its technical possibilities to the full. Over the years, the Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest of them did not record these works until they reached their years of maturity (Casals was over sixty, Rostropovich was sixty-three), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard is among the latter. Her first recording of the Suites, released on the Ambrosia label in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of the label, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece." http://eboutique.harmoniamundi.com/johann-sebastian-bach-cello-suites.html Recording producer: Nicolas Bartholomée Film director: Guillaume L'Hôte Filmed at Grenier de la Mothe, Bailleul Neuville http://www.littletribeca.com Visit the official Aparté website: http://www.apartemusic.com/
Bach: Sarabande, Cello suite Nr.3 | Ophélie Gaillard
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